Oleg Saxophone Mouthpieces
Most sax mouthpieces have a narrow “sweet spot” which doesn’t allow much tonal flexibility and dynamic range, especially in the high register. Oleg sax mouthpieces are designed to play in tune with a full resonant tone while accommodating the wide range of different embouchures. These sax mouthpieces are immediately comfortable and require virtually no break-in time.
New : Oleg Contempo Vector Alto Sax Mouthpiece
We are introducing a new addition to the Oleg line of saxophone mouthpieces: the Contempo Vector metal alto mouthpiece. This newborn alto piece lives up to its Vector name with powerful, direct, yet easy controlled sound projection. At the same time, it maintains an Oleg legendary sound response and superb pitch stability and definition. While sustaining all of the advanced features of the Oleg design concept, the Contempo Vector alto mouthpiece adds a little more zing to the sound so much coveted by the contemporary smooth jazz artists.
The Contempo Vector is available in high luster and matte 24k gold, white rhodium plate finishes, and optional combinations of textures and colors.
Available in 24K Gold or White Rhodium (looks like silver) finishes.
Special Textures are also available
Gold Plus – Sandblasted Matte and Bright Combo
White Rhodium Plus – Sandblasted Matte and Bright Combo
Oleg Contempo Mouthpieces
Perfect for Jazz and Soloing, the Oleg Contempo Mouthpieces produce a huge, powerful, contemporary sound. Pop with a dazzlingly bright sound or a darker, seductive tone, the Contempo line is incredibly versatile. Famous jazz saxophonists Michael Lington and Mindi Abair have stunned audiences for years on the Oleg Contempo Alto Mouthpiece. Available for Soprano, Alto, Tenor, and Baritone.
Oleg Maestro Mouthpieces
The Oleg Maestro Mouthpiece line offers the most resonant, easy to play, in-tune sound possible, and is great for both jazz and orchestral music. Play with a beautiful, rich tone signature of the Oleg Optimized Acoustics method. Available for Tenor and Baritone Saxophone.
Handcrafted in USA
Custom made Oleg sax mouthpieces are manufactured at our facility in Los Angeles and available in Silver and Gold finishes for Soprano, Alto, Tenor, & Baritone Saxophones.
Oleg Original Curved Baritone Neck
Introducing the Revolutionary New Curved Baritone Neck - the fist and only in the world to create an ergonomic solution to baritone saxophone. The elegant curve raises the horn three inches higher than traditional necks, dramatically improving the musician's posture. This reduces and prevents pain, nerve damage, and muscle strain in both the neck and hands.
Want to try it before you buy it? Take advantage of the Oleg Return Policy to test drive the Oleg Neck without making a final commitment.
Custom Finish for Saxophone Neck Pipe: Silver, Black Nickel, or Other. Does not include price for custom octave key finish.
Read the amazing review by Terry Landry as it appeared in our December Newsletter:
2017 was a signature year for our newly unveiled curved baritone necks. The improved acoustically and structurally-stronger design has gained accolades from pro musicians. Here is what Terry Landry, a highly notable and internationally coveted woodwind pro and a baritone specialist, had to say about the new Oleg Curved Baritone Neck.
“The new neck makes it even easier & more seamless to switch between alto, tenor, and bari. My bari feels more like my other horns than ever before. There is zero acclimation period now, when switching.
Most of what I've been playing on bari, since I got the new neck, has been live work, in loud bands. I'm better able than ever before to project & compete with the volume of guitars, etc., yet I have greater control over nuances.
Thus, even in sub-optimal conditions, I'm never working so hard that I blow past the resonance. I can't adequately articulate the monumental importance of this. It's a true game changer.
Similarly, gone are the "misfires" -- previously a fact of life for bari players-- where I go to play a loud, low, staccato note, such as low D, and nothing comes out. These have always been especially problematic in studio work, where pristine accuracy is tantamount. I used to be forced to "hyper-focus" my air stream, making tiny adjustments for every note-- but no more. I just play.
don't have to, the neck has quite literally liberated my bari playing. There are far fewer mechanical and lower-brain-function impediments between the creative thought, and the real-time execution. It's like having torn down the Berlin Wall between my creative imagination and my ability to execute. This neck empowers and unleashes creativity.”
Terry Landry
